As The Maslow Collection grew during the 80s it was housed and installed in the corporate headquarters of InterMetro Industries Corporation, Wilkes-Barre, Pennsylvania, a company then owned by the Maslows. At that time the Curator for the Collection was Deane Berger, and during her tenure as Curator cataloging of the collection began, as well as the initiation of numerous educational programs and tours, enabling diverse segments of the public to experience the Collection. This was consistent with the original mission established by the Maslows to make the Collection a vital and meaningful resources within the community at large.
In addition to programs at the InterMetro headquarters, two major exhibitions drawn entirely from The Maslow Collection were held at the Sordoni Art Gallery, Wilkes University in 1988 and 1989. These two exhibitions examined American Art since WW II. During this period of time, with the continued guidance of Anthony and Gloria Sorce, the Maslows began to amass a major contemporary art collection, always with an eye to both the depth and breadth of the Collection.
In the early 90s Melanie Lumia took over the curatorial responsibilities of the Collection and extended the programing and archival documentation of the Collection. Then in the mid 90s Robert Schweitzer was brought in as Curator. The Collection has since been fully computer cataloged and moved into climate controlled storage.
During the late 90s the Collection had been exhibited on a regular basis at the Everhart Museum in Scranton, Pennsylvania, providing a range of thematic installations which were used by professors at The University of Scranton to teach specifically designed courses related to the exhibitions. Additionally an internship program has been initiated with Marywood University (also located in Scranton) to provide students with hands-on experiences in curatorial training and research.